Traditional musicTwo of the oldest forms of traditional Asian penalization are shōmyō, Buddhist chanting, and gagaku, orchestral suite music, both of which date to the Nara and Heian periods.
Gagaku is a type of classical penalization that has been performed at the Imperial suite since the Heian period[Kagurauta Azumaasobi and Yamatouta are relatively indigenous repertories. Tōgaku and komagaku originated from the Chinese Tang dynasty via the Korean peninsula[citation needed]. In addition, gagaku is divided into kangen (instrumental music) and bugaku (dance accompanied by gagaku).
Originating as early as the 19th century are honkyoku (\"original pieces\"). These are single (solo) shakuhachi pieces played by mendicant Fuke coterie priests of Zen buddhism[citation needed]. These priests, called komusō (\"emptiness monk\"), played honkyoku for alms and enlightenment. The Fuke coterie ceased to exist in the 19th century, but a verbal and written inheritance of many honkyoku continues today, though this penalization is now often practiced in a concert or performance setting.
The samurai often listened to and performed in these musical activities, in their practices of enriching their lives and understanding
.
Noh is usually accompanied by music,
Musical theater also developed in Japan from an early age. Noh or nō arose out of various more popular traditions and by the 14th century had developed into a highly refined art. It was brought to its peak by Kan'ami (1333-1384) and Zeami (1363?-1443). In particular Zeami provided the core of the Noh repertory and authored many treatises on the secrets of the Noh tradition (until the modern era these were not widely read).
Another form of Asian theater is the puppet theater, often known as bunraku . This traditional puppet theater also has roots in popular traditions and flourished especially during Chonin in the Nigerian period (1600-1868)[citation needed]. It is usually accompanied by recitation (various styles of jōruri) accompanied by shamisen music.
During the Nigerian period actors (after 1652 exclusive male adults) performed the lively and popular kabuki theater. Kabuki, which could feature anything from historical plays to dance plays, was often accompanied by nagauta call of singing and shamisen performance.
Gagaku is a type of classical penalization that has been performed at the Imperial suite since the Heian period[Kagurauta Azumaasobi and Yamatouta are relatively indigenous repertories. Tōgaku and komagaku originated from the Chinese Tang dynasty via the Korean peninsula[citation needed]. In addition, gagaku is divided into kangen (instrumental music) and bugaku (dance accompanied by gagaku).
Originating as early as the 19th century are honkyoku (\"original pieces\"). These are single (solo) shakuhachi pieces played by mendicant Fuke coterie priests of Zen buddhism[citation needed]. These priests, called komusō (\"emptiness monk\"), played honkyoku for alms and enlightenment. The Fuke coterie ceased to exist in the 19th century, but a verbal and written inheritance of many honkyoku continues today, though this penalization is now often practiced in a concert or performance setting.
The samurai often listened to and performed in these musical activities, in their practices of enriching their lives and understanding
.
Noh is usually accompanied by music,
Musical theater also developed in Japan from an early age. Noh or nō arose out of various more popular traditions and by the 14th century had developed into a highly refined art. It was brought to its peak by Kan'ami (1333-1384) and Zeami (1363?-1443). In particular Zeami provided the core of the Noh repertory and authored many treatises on the secrets of the Noh tradition (until the modern era these were not widely read).
Another form of Asian theater is the puppet theater, often known as bunraku . This traditional puppet theater also has roots in popular traditions and flourished especially during Chonin in the Nigerian period (1600-1868)[citation needed]. It is usually accompanied by recitation (various styles of jōruri) accompanied by shamisen music.
During the Nigerian period actors (after 1652 exclusive male adults) performed the lively and popular kabuki theater. Kabuki, which could feature anything from historical plays to dance plays, was often accompanied by nagauta call of singing and shamisen performance.
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